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New Building Project

The Whitney is constructing a new building in downtown Manhattan, which will open to the public in 2015. Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the new building will vastly increase the Whitney’s exhibition and programming space, providing the first comprehensive view of its unsurpassed collection of modern and contemporary American art.

Whitney of the Future: A Preview

A preview of the Whitney’s future building at Washington Street and Gansevoort Street, in the Meatpacking District. Designed by architect Renzo Piano, the 200,000-square-foot space will open to the public in 2015.

The Building

Designed by architect Renzo Piano, the new building will include more than 50,000 square feet of indoor galleries and 13,000 square feet of outdoor exhibition space on a series of rooftops facing the High Line. An expansive gallery for temporary exhibitions will be approximately 18,000 square feet in area, making it the largest column-free museum gallery in New York City. Additional exhibition space includes a lobby gallery (accessible free of charge), two floors for the permanent collection, and a contemporary artists’ project space on the top floor. 

According to Mr. Piano, “The design for the new museum emerges equally from a close study of the Whitney’s needs and from a response to this remarkable site. We wanted to draw on its vitality and at the same time enhance its rich character. The first big gesture, then, is the cantilevered entrance, which transforms the area outside the building into a large, sheltered public space. At this gathering place beneath the High Line, visitors will see through the building entrance and the large windows on the west side to the Hudson River beyond. Here, all at once, you have the water, the park, the powerful industrial structures and the exciting mix of people, brought together and focused by this new building and the experience of art.”

The dramatically cantilevered entrance along Gansevoort Street will shelter an 8,500-square-foot outdoor plaza or “largo,” a public gathering space steps away from the southern entrance to the High Line. The building also will include an education center offering dedicated space for state-of-the-art classrooms; a multi-use black box theater for film, video, and performance with an adjacent outdoor gallery; a 170-seat theater with stunning views of the Hudson River; and a Works on Paper Study Center, Conservation Lab, and Library Reading Room. The classrooms, theater, and study center are all firsts for the Whitney. 

A retail shop on the ground-floor level will contribute to the busy street life of the area. A ground-floor restaurant and top-floor café will be conceived and operated by renowned restaurateur Danny Meyer and his Union Square Hospitality Group, which recently opened Untitled, the new restaurant in the Whitney’s current building on the Upper East Side.

Mr. Piano’s design takes a strong and strikingly asymmetrical form—one that responds to the industrial character of the neighboring loft buildings and overhead railway while asserting a contemporary, sculptural presence. The upper stories of the building will stretch toward the Hudson River on its west, and step back gracefully from the elevated High Line Park to its east.

The Whitney’s vibrant program of exhibitions and events will continue in its uptown building until late 2014. After the opening of the Whitney’s new building in 2015, the Metropolitan Museum of Art plansto present exhibitions and educational programming at the Whitney’s uptown building for a period of eight years, with the possibility of extending the agreement for a longer term. The two museums will seek to collaborate on collections sharing, publications, and other educational activities.

Project Team

Owner’s Rep: Gardiner & Theobald, Inc.
Design Architect: Renzo Piano Building Workshop
Executive Architect: Cooper, Robertson & Partners
MEP Engineer: Jaros, Baum & Bolles
Lighting/Daylighting Engineer: Ove Arup & Partners
Structural Engineer: Robert Silman Associates
Construction Manager: Turner Construction, LLC

About Renzo Piano

Renzo Piano was born in Genoa, Italy, in 1937, into a family of builders. In his home city he has strong roots, sentimental and cultural, with its historic center, the port, the sea, and with his father’s trade. During his time at university, the Milan Polytechnic, he worked in the studio of Franco Albini. He graduated in 1964 and then began to work with experimental lightweight structures and basic shelters. Between 1965 and 1970 he traveled extensively in America and Britain. In 1971, he founded the studio Piano & Rogers with Richard Rogers, and together they won the competition for the Centre Pompidou in Paris, the city where he now lives. From the early 70s until the 90s, he collaborated with the engineer Peter Rice, forming Atelier Piano & Rice, between 1977 and 1981. Finally, in 1981, he established Renzo Piano Building Workshop, with a hundred people working in Paris, Genoa, and New York.

The Neighborhood

The new building will engage the Whitney directly with the bustling community of artists, galleries, educators, entrepreneurs, and residents of the Meatpacking District, Chelsea, and Greenwich Village, where the Museum was founded by Gertrude Vanderbilt Whitney in 1930. 

The Whitney’s new building will be located in the Meatpacking District on Gansevoort Street at the southern entrance to the High Line.

Project News

2013

June 6, 2013
The Whitney announces a permanent installation commissioned for the the new building: four elevators designed by the late artist Richard Artschwager. 

April 7, 2013
Artists tour the new building site with Whitney director Adam Weinberg and chief curator and deputy director for programs Donna De Salvo.

January 23, 2013
The Museum presents a project update to the Arts & Institutions Committee of Community Board 2.

Support the Whitney of the Future

The campaign for the “Whitney of the Future” goes far beyond the creation of a new museum facility that will showcase and safeguard the Museum’s irreplaceable collection. It is an investment in future generations of artists and the growing audiences who will engage with their work. 

The campaign commenced quietly in January 2007 with extraordinary support from the Board of Trustees. The American Art Foundation, under President Leonard A. Lauder, launched the campaign with a transformational leadership gift of $125 million for endowment, helping to secure our future operations in the Museum downtown. The City of New York, whose partnership and commitment made it possible to purchase the land for the Museum, has also appropriated funds for the construction of the new building. The State of New York provided significant and early support of the architectural design.  The campaign’s success to date is also the result of the many individuals who have been so generous with their early support.  With this extraordinary leadership start, the Museum broke ground on May 24, 2011 and began the transformation of the Whitney, and of the downtown cultural scene.

A project of this scale succeeds only when each of us does their part. Each gift brings us closer to realizing the Whitney of the Future—a museum committed to art, artists, and audiences in dynamic interaction. This is an opportunity that comes but once in a generation. Please join in transforming one of our nation’s great museums and be a part of shaping the future of contemporary art in New York.

The Future Whitney in Progress
Spring 2013

A view looking south through protective netting, April 2013. Photograph by Marco Anelli
A view looking south through protective netting, April 2013. Photograph by Marco Anelli
A gallery under construction, March 2013. Photograph by Marco Anelli
A gallery under construction, March 2013. Photograph by Marco Anelli
Looking north from construction scaffolding. Photograph by Marco Anelli
Looking north from construction scaffolding. Photograph by Marco Anelli
A view of the Empire State Building to the northwest of the site, April 2013. Photograph by Marco Anelli
A view of the Empire State Building to the northwest of the site, April 2013. Photograph by Marco Anelli
A crane hook idles at the construction site. Photograph by Marco Anelli
A crane hook idles at the construction site. Photograph by Marco Anelli
A view to the southwest. Photograph by Marco Anelli
A view to the southwest. Photograph by Marco Anelli
Looking west across a gallery space, March 2013. Photograph by Marco Anelli
Looking west across a gallery space, March 2013. Photograph by Marco Anelli
The roof of the new building, March 2013. Photograph by Timothy Schenck
The roof of the new building, March 2013. Photograph by Timothy Schenck
The eighth-floor gallery, March 2013. Photograph by Timothy Schenck
The eighth-floor gallery, March 2013. Photograph by Timothy Schenck
Electrical work in the basement of the new building, March 2013. Photograph by Marco Anelli
Electrical work in the basement of the new building, March 2013. Photograph by Marco Anelli
Workers operate scissor lifts, March 2013. Photograph by Marco Anelli
Workers operate scissor lifts, March 2013. Photograph by Marco Anelli
Electrical and duct work, March 2013. Photograph by Timothy Schenck
Electrical and duct work, March 2013. Photograph by Timothy Schenck
The basement of the new building, March 2013. Photograph by Marco Anelli
The basement of the new building, March 2013. Photograph by Marco Anelli
A construction worker on break with a view to the northeast of the site, March 2013. Photograph by Marco Anelli
A construction worker on break with a view to the northeast of the site, March 2013. Photograph by Marco Anelli
Workers adjust sheets of protective draping, March 2013. Photograph by Marco Anelli
Workers adjust sheets of protective draping, March 2013. Photograph by Marco Anelli
The new building viewed from the Standard Hotel, March 2013. Photograph by Timothy Schenck
The new building viewed from the Standard Hotel, March 2013. Photograph by Timothy Schenck
A view from the High Line of the building’s north facade. Photograph by Ed Lederman
A view from the High Line of the building’s north facade. Photograph by Ed Lederman

Construction Site Documentation
October 2011–March 2013

The new building viewed from its north side, March 2013. Photograph by Marco Anelli
A gallery under construction, March 2013. Photograph by Marco Anelli
A view to the southwest from an upper gallery, March 2013. Photograph by Marco Anelli
Construction material being hoisted into place, March 2013. Photograph by Marco Anelli
Scissor lifts and other construction equipment in the basement, March 2013. Photograph by Marco Anelli
Looking east from the new building site, March 2013. Photograph by Marco Anelli
Looking southwest across a gallery floor, March 2013. Photograph by Marco Anelli
A view to the northeast of the site, March 2013. Photograph by Marco Anelli
An interior view of a gallery, March 2013. Photograph by Marco Anelli
Structural steel, March 2013. Photograph by Marco Anelli
The Empire State Building viewed through protective draping, March 2013. Photograph by Marco Anelli
Protective draping at the construction site, March 2013. Photograph by Marco Anelli
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Documenting the New Building Project

The following videos document the Whitney’s new building as it continues to change during the building process. 

Community Day Video Series

The following videos were created to commemorate and document groundbreaking on the Whitney’s new building. The Museum hosted a neighborhood Community Day celebration in May of 2011 to introduce local residents to the project and welcome them to visit the future Whitney. 

Webcam

Follow the progress of our new building in real time by watching our web camera, which documents the construction of the Whitney’s new home with an updated image every fifteen minutes. 

Directions for use

To zoom: click the – and + buttons. There are also four preset views you can click on below the control panel.

To pan left/right or up/down: use the virtual joystick or click and hold your mouse over the image.

To access past images: Either use the calendar or slide the bar directly below the image. All photos are archived, so you can see any image by date/time going back to Sept 30, 2011.

To share an image: You can email, download, and print images by clicking the “share image” icons beneath the viewer.

Please note that Adobe Flash is required to view the camera.

Contact Information